Nº. 1 of  3

c. michael downes

“Warm” published with Haggard & Halloo:

http://www.haggardandhalloo.com/2012/05/31/warm-2/

White in China

Huai Rou for lunch

Large restaurant post wedding cleanup and the staff

layered throughout the main floor glares and mumbles

and gargles mucous behind brooms and trays of food

plates and glasses at the brightly dressed cacophonous English

squawking Méiguó rén.

We are led up two flights to the end of the hall, the furthest room from other patrons on an empty floor…enormous round table with an equally large lazy Susan.  Please and thank you are unspoken trivialities.  The fat southern sorority girl whines, contorting her face with an expression like vomit glazing her eyes, nose, lips, scraping dessert from a course plate, Wait, is that all the real food we’re getting? The other seated next to her, The tea tastes like MEDicine.  I stand, and throw our teapot of near boiling chrysanthemum into her face…in my mind.  I turn to my neighbor, Let me know when the pretend food gets here, I’m going to carve out my eyes with my chopsticks.

Pretend food gets to the table and the kids are spinning the lazy Susan, adults passing plates and bottles.  Our ex-pat guide laughs, encouraging more revolution, less passing…there’s a metaphor in there for the group–I’m sure of it.  He says again, he doesn’t understand why most Americans prefer the sanitized travel experience and relates his appreciation for my perspective.  That strikes to the heart of the issue, the anglo-virus of self-absorption, the expectation of limitless and obstacle free pathways to the accustomed sloth of their own lives…engorged with a pronounced elitist perspective that would ensure security with the lie it represents–audacious benevolence even, when touring the impoverished lives of others in the name of charity.  F*cking horror, to think that some of these people help craft the world’s perspective of American life…and as another waiter brings another course to the table, a voice rises, I get angry when I see people who are white, but don’t speak English.

Excerpt from On the Road to the Lunar Market

White glow on the state

farm fields of dark green

wheat of the olive river

the Yang shu kiss

upon everything

cement block housing 

opens to the ribs of the community

farms, on the road to the Lunar Market

kick a stone

bagged vegetables of early

shoppers, bicycles, brick and rubble

grandmothers in the back of moped-

trikes, mama’s backseat bicycle baskets

thrones of little emperors

staring long

at we walking round-eyes,

before slowly bestowing a four finger wave,

on the road to the Lunar Market

5.14.12 Qing Yun Dian

Tourist

Blade graffiti in the trees

of the electrical bicycle laden, village road,

polio-slung spine through sections of the village

twisting, the dust and yang shu snowing.

The road, a darkened drunkard stumbling

in its own filth

bares its purpling dark gums and tongue,

homely eyes saturated, turn gray and down,

unfold out–single residents–

into broken doorways and permanent wincing.

Sporadic piles of road litter, feces and refuse,

burning dumpsters and cement block alcoves

belch human movement

where only vermin should stir

yet swirl in the stares–defiant-

even in the midst of this.

How dare we Meiguó  rén steal any moment of their

strength in the raw nakedness,

belonging to them.

A splash of autolight

through the sound of a rocky

footstep and the sharp curses of mopeds

and delivery tryke horns,

steal sleeves of pungent open sewers

and partial masks of darkness, smoke…

throb of a cigarette heart

pulsing in the accented phrases of discernment,

flattened vowels slipped to huddled neighbors

like the slow draw and revelation of the street hustler’s

playing card:

four of clubs in the smoldering black ring of street refuse,

six of spades splattered in wash basin waste water thrown

in a tarnished silver crescent,

another card flipped up and over like leaves of the raining

yang shu trees…

        and I don’t feel cheated, only ashamed,

a tourist to suffering.

Waiting for the Storm

woke myself up

in the cold, dark morning–talking

to you in my in-between sleep

walking–days of night

without your dawn warming

the cold yellow sidewalks

of my walk through the world

silhouettes in backlit

sepia and dull gold doorways

waiting for the storm

fog dampened branches

barren black of their soft fragrant fire–

tomato vine and cinnamon–

wind voice stirring

the dogwood petals

in the surface of puddles

eyes close into my hands

in the purple darkness

seeking quickly

at the walls’ surfaces,

out toward the emptiness

in need of your heart beat

to make it real

but your rhythm is

a run,

snow misted moss in

the gulls’ fleet morning

and strong in my throat

as if I’d kissed it free from your

chest as the mist does

the upturned limbs

dipping into the darkening sky

for stars to form a line

of symmetry

synthesis and catharsis

As the ruby heart of the world is laid to rest

in the folds of the sea bassinet,

with all the care of a

father’s hand at child’s crown,

the kingfisher stands atop

the single dock post–

flutter in the salt–

and sound of wake on the breeze;

thigh scratches of sky

bleed through the cirrus

upon the land at dusk in droplets.

How time has taught me,

the passing of intention turned acceptance

of a dream now out of reach–

purchased with the depth of distance–

remembered humbly and free from shame,

how we were with one another,

in motive, word and deed.

The Open Color of the Afternoon

The open color of the afternoon

in the highest perch of his childhood,

ascending the throne of the neighborhood

in the greater sunlight,

heavy hearted boy–more pure

in the freedom of true wonder–

in the foliage clarity of a high climb

to a ship of air, sway,

seeking out the absence of some other

so as to define the successful,

unhardened solitude, whole and unspoiled.

His breathing, clean at zenith,

the rustle of leafen parchment,

in envelopes, library pages and brittle scrolls,

spells to give a boy a frog to ride,

to become a dragonfly,

sailing the tolling

waves of dinner-bell skies–

to go on seeking, sailing.

Smooth eyes reopen to the color of the afternoon.

Her little fists grip Maple shoulders,

secure her throne of greater sunlight,

heavy hearted girl–more pure

in the freedom of true wonder–

unspoiled

solitude, whole and unhardened;

felt the river breeze

whisper a shimmer into her being,

her little arms cool in her shade climb,

warm once again in the open color of the afternoon

and the round full scent of the coming rain.

With the swirl of gray at fingertips

painting waves of the larger world,

she tames the eyes of the dragonfly

sending him out to hum his

secret letters,

letters that would one day return

seeking with a heart–more pure–

made heavy for her.

Grace

Children’s memory

collage of discovery,

innate

tactile actualization

of grace,

 

sensory embrace

of the intricate grandeur

of creation-jubilee

of play,

 

earthen-melody of the Word

in motion:

 

ether of scattered children’s shadows

and the vascularity of sunshine,

 

ocean, poetry of first words,

wind, refracting illuminated surface

of the call of morning,

water-speech of tree top glass,

deciduous green and gold.

 

She amidst thick cold, wide open air,

her head, a brunette vineyard–

deep as the

black branch and pale sky mosaic

it rests against–

turns slowly

to the sound;

 

light snowfall

around her black stocking legs–

right behind left–

crossed for luck,

 

her fingers entwined,

held flat to her belly

 

waiting for a whisper.

Our Amsterdam Dance

The Kings of Convenience spin glistening

in the cool air of the second floor dining room light

ubiquitous at the pale winter window,

outside, flurrying scraps of hospital blankets and the sound of vinyl sheaths-

un-sleeved crest the lyric,

 “I don’t want to suffer”.

 

I feel your absence-quiet

like new city Sundays,

yet-only somewhat myself,  

 in your inquisitive half lean,

“I could suffer for you.”

 

I can’t write what I’ve yet to speak

with you so close,

holding the air so empty.

Press your hand,

press your ear to my chest.

 

Beirut fists

in taut overcoats,

clenched in pockets of keys, lighters and cigarettes…

brisk December kiss

of sleet in the black branch orchard of

temptation.

 

Lamb voice

in the unrequited confessionary heartbreak

of the stale car heater stench,

where we split

a cigarette in knit-mittens,

cinema smoke slow and lingering across the quiet, compressed air on the auto’s interior,

 across the blushing bridge of your nose and china doll cheekbones,

we nipping whiskey and casually kissing away the tears.

 

Neutral Milk scratching of my head in the city reflection of my Chinatown flat,

pale winter windows of ubiquitous dining room light

recalling ag’ed memories of our Amsterdam dance

you-thin sweater,

striped–as French film vixens–

we within the arms of the song

all our friends

watching, even as it ended for them.

 

We still though, at waist

holding shoulder and elbow

in the rich cool darkness of the café

the calm

-quiet longing for just a little more.

 

Grace hung low over us all

the lip-synched words of direction

wrong-incorrect

rather improper it seems,

for all of us to end up so:

for we to be so distant after

sharing so much, each and every day.

 

All of this in the few seconds previous to

entering through the weathered door–

the off time creak with steps taken across the old wood floor,

the ceiling molding artificial track light cobwebs–

no elbows now upon the large carving scrawl tables

alone in the stale sunlight sheets of dust,

black leather booths

clawed and pitted

burned out chandelier bulbs

and her pink bar counter,

where she first read the relief of my cross

and shown me the story of her own–

over my first grilled cheese.

 

When a world was a walking distance, we wrote a letter together

through the night and remnants of winter woods–

never sealed, never sent.

perhaps that’s how I have a sense of you here,

though the distance;

we were perfect lovers…

never a possession of the other.

When I Read the Learn’d Astronomer

-for Whitman

 

As I rend, mend my memory,

swollen with warning

in the churning black forever of eternity

the darkened mirror of Heaven’s ethereal envelope

reveals

 

Fortunate star

solitary

heavenly pitch of oceanic depth;

your graceful waltz

through earthly shrouds–

your garden gown of purple

orchid clouds

 

affix a line to my eyes,

so all-ever-changing

revolves within

our moonlit luminescent communion.

 

Full moon cradled in a crucifix

of pale stalactites of light–

wax speech

at the hour of all shadows,

 

full rounded

pregnant mother of peace,

 

circle of questions

shifting recollections

in an endless sky,

 

single light

 

irrepressibly iridescent,

luminescent angel.

Chesterland, From Suite for Lute in E Minor, BWV 996 J.S. Bach Allemande, Gigue

Sadness is sweeter in the heat of summer

where the hours’ summoner

is the call for lunch from a mother

bell through wooded vale

tree castle where faeries regale

sunlight sonnets once unspoken

upon the petals of meadow violets

cattails and the tiny lion’s sun

in time

perhaps a splinter of the day

upon a throne of

white elder totems

wishes blown 

take flight toward mosquito heat 

to eventually sink 

into cool shade reliquaries

the remains of an autumn library–

spells upon the forest floor

heavy scented, thick serpent vines

the length of reading lists of 

elders, kings and wizards 

Broken Vows

And in that singular moment when all had forgotten,

such a unique sound of power, of light and horns then sounded

an incorporeal calling of deep drums-

for all to run toward the sound-

to leave all and give all to the pursuit of the origin of this sound.

 

Then immediately discovered by those failing to step or move,

the possessions of their heart became their bonds,

in the most flesh of human chains;

 

Without pause or waning glance

Children ran free from their mothers’ arms and fathers’ hands,

limbs now weight and mass,

heaving hearts of bitterness, of sorrowful recognition,

of the call and hour.

 

Cries of horror filled the skies,

skies of amorphous dawning color swaths of innocence-

a strength in resonance of compounded voice and tone,

epiphany awfully endowed with the sickening awareness of the new amalgam

of flesh and gold and steel and silver-bone,

and all the metals made most precious by Man

for the sound of all things-in fullness-is felt in a hum,

with the acknowledgment of interconnectedness

 

As the putrid brokenness

of isolation and despair lifts from the untouchables-

those spirits dispossessed-

in its place flows child heart of jubilation and the fleet energy

of boundless love disintegrating chains of illness, pain and torment;

And those ills unlawfully placed upon these unwanted

come heavy inherited upon the eyes and ears and lips

of those foolish souls

with whom the greatest gifts were wasted,

such that the supreme agony is muffled within the sickly skin of

the once sons and daughters of privilege

allowing for the horrid torment to silently rage within the world internal

 

As heaps of the pestilent

grind sporadic gaps in the yoke of their connected flesh and possessions,

complete awareness of their new inheritance

chips and crumbles teeth into blood and tears,

snaps bones, tendons, ligaments in futile attempts

to fulfill a desire indescribable to run toward the origin of the call.

 

The corrupted,

anchored in their earthly lusts,

collapse upon their reward

of rock, of splintered jaw, of bareness,

 

And through the totality of their reeking forms

feel the intermittent pounding of bare blackened feet swiftly sprinting ahead,

knotted locks and rotted teeth replaced with blessed diadems.

 

For the call was made for a reversal of fortune,

as it was once foretold,

a warning to a world who rendered the naked and starving to the wilderness,

that the name of the poor would be one and the same

with the supremely blessed,

that the wealthy would be taxed with hostility-

for poverty is injustice’s consequence,

their absence from the great hall and table of hallowed glory

be their recompense,

 

That the poor would be the name

of the supremely blessed. 

Rhinoceros flower petal tea vessel

for Li Po

Has the Poet not been made 

  more mortal than man? 

  As age grips the hand 

which looses the pen, 

word as final breath  

  observes death obscured;   

the living must turn to trees 

  to hear lost poems of poets, 

upon each turning leaf.  

Widower

 

I.

Never more beautiful

these oak and maple

gilded leaflet letters

written in silver autumnal rains

prayers and words unspoken

relinquished to the land

 

II.

He held her hand from five years away

her death of this world

never from his life

his laugh

his pride

his tears now teeming with anticipation

for the moment outside of night

where morning refrains

for a few fleeting moments

her soul seen in the turning curve of color tones

the sheen across the heavens’ sphere

 

III.

A new dawn

a swath of pale soft light

cut through the gaunt-

a promise of sight

in a way he once

could have never imagined

throughout the rest of his life

 

The range is wrapped in featherbedding

coniferous fog over cobalt waters

the City bleeds in busses

trains and traffic lights

brothers and sisters in boots and umbrellas

step into puddles as seconds into minutes

 

A match is struck, run atop the road,

the warm, tiny flame lights the hearth of a heart-

and nothing would be the same

Silent Running

We walk opposing sides of the road,

the same direction

until the children have gone up ahead.

 

Today I am much more unhappy than yesterday…

with the happiness I’ve held

I’ve felt lately

there is a tolerable dissatisfaction with

my life-

since the ring.

 

Patterns of abandonment

abandoning

eachother

for

one another

over

    and

        over

 

Decades of waiting for the child hierarchy

to dwindle, falter and fail

as the hand did that bore the ring

bore the brunt promise of separation upon death,

or the cloven Word.

 

Now at least,

at the loss of

we

agree to walk the same side.

 

I stoop to tie,

prepare to run

while you stride up, ahead

as if to call the children back,

but falter and fail

as the weight of years absorbs the air

a yawn,

the start of a deep and silent running.

Nº. 1 of  3